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During the harsh winter of 1450, a pack of hungry wolves managed to enter Paris and roamed the city's streets. Wolf packs could be found in all the forests of Europe in medieval times. Polychrome cave painting of a gray wolf, Font-de-Gaume, France Beowulf, the legendary Anglo-Saxon hero, named himself after the wolf, and North American Indians used the name for their most powerful warriors. That's an easy thing to admire and a tough thing to love.According to legend, the city of Rome and the Roman kingdom was founded on April 21, 753 BC by twins Romulus and Remus, who were raised by a wolf.įor centuries the wolf has been depicted as a symbol of fighting prowess, courage, and endurance. Playing live, they just seem like dudes doing very impressive things with their instruments. Opeth's records seem to convert their own environments, giving you time to roam over all their peaks and valleys. They like their works to be long and immersive, and even the best-recorded live album can't swallow you up into its world the way Opeth's albums do. Opeth are an albums band, and the way they organize their set around their albums bespeaks that.
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That's not the case here- and, really, it never could be. Ideally, a live album that touches on every era of a band's career should serve as a pretty good introduction to that band's work. If you're an Opeth superfan- and the band has plenty- you probably already have this thing on pre-order, and you won't be disappointed.īut anyone not already absolutely converted will have a tough time with the sheer volume and density of this box. Even if you speak Swedish, the thing probably isn't terribly interesting- and yet, they know there are superfans out there who will absolutely eat this up. The second DVD comes with a 45-minute life-on-the-road documentary, one that doesn't bother with anything as distracting as subtitles. And over all these discs, there's a ton of material to process. The band, obviously, plays everything with just ridiculous amounts of technical skill they wouldn't set off on these staggering epics if they weren't total wizards on their instruments.
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The DVDs are nicely shot and crisply edited- professional pieces of work where nobody involved got too showy with anything.
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The recording is full and warm, and nothing ends up buried the way things often happen on live albums. It just feels like one endless wander after another.Įverything about In Live Concert is extraordinarily well-done. And on a live album, it's not like you can hear the differences in production between all these different records. They were playing these wide-ranging epics from jump. This is a neat idea to showcase the band's musical evolution, but Opeth hasn't exactly had a ton of musical evolution, at least not on record. Opeth were celebrating their 20th anniversary as a band, so they played one album, 2001's masterful Blackwater Park, in full, then picked one song per album from all their other albums. Over three CDs and two DVDs, this box documents one show, which stretched across nearly three hours. A stoned, pasty mass of British people swaying and headbanging as a group of curtain-haired virtuosos wheedle out extended multi-movement works- this is something that could've happened at any point over the last 40 years. And inside the ornate venue, they look very much at home. Death metal is Åkerfeldt's favorite toy, the same way the band's 1970s forebears loved playing around with traditional English folk or Howlin' Wolf, but the band makes a huge show out venturing across as much landscape as possible. In this ridiculously huge box set's liner notes, they thank Joni Mitchell and Scott Walker alongside Morbid Angel and Ronnie James Dio. Their songs regularly go way past 10 minutes and frequently break into Ren-fest traveling-minstrel frippery.
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Åkerfeldt can emit guttural snarls with the best of them, but it doesn't tell the whole story to tag Opeth as a "metal band." Culturally, they're metal, longtime titans of the ridiculously fertile Scandinavian scene. "We are bringing death metal into the halls of high culture," says Opeth frontman Mikael Åkerfeldt from the stage at London's Royal Albert Hall, but he's only sort of right.